Our thanks to book publicist Claire McKinney of Claire McKinney Public Relations for this post!
Having been raised by an academic who learned everything from a book, when I decided to return to New York City to be a professional actor, I sought out a manual called How to Be a Working Actor. Unfortunately I’ve found a lot of “how to” books contain pithy and not very useful advice. But the one thing that stuck with me from this one—I think because I was shocked that it was actually in there—was about appearance.
The book said when you go to auditions you need to be clean, body and clothing, and that you should show up on time. It was the cleanliness part that threw me: did people actually expect to get jobs if they had a trail of dirt and flies around them like Pigpen in the Peanuts cartoons?
The point is, if you are self-publishing nobody cares if you iron your shirt, but your book has to be clean, combed, and polished for its audience. Here are four things you need to do to produce a good looking book:
1. Get an editor.
There are many, many freelance editors out there and by looking at different online resources that cater to writers (such as www.wherewriterswin.com) you will be able to find your own. I’ve been quoted an hourly rate of $50/hour, but there are some that are higher and some that are lower, depending on their experience levels.
2. Get a book designer.
You may not know about these folks, but they are important. Your book, whether sold in e-book or print needs to be formatted appropriately so it looks professional. A designer will paginate, insert chapter headings, justify margins, and make sure that your book isn’t screaming “self-published” to a reviewer, bookstore, or reader.
3. Register your book with the Library of Congress.
You can go to the website for directions on how to do this. Consider investing in having someone who knows what they are doing to provide the “in catalog” data for libraries. This looks like some kind of secret code to me, but it’s necessary for providing librarians with the information they need (metadata) in order to shelve the book. I’ve used the folks at www.fiverainbows.com to help with this.
4. Set yourself up as a publishing entity.
Don’t publish the book with your last name as the imprint. Take the time to consider what you want to name your business, because publishing is one.
Try your hand at a simple logo or get a friend who likes to play with graphic design to draft one for you. (Fiverr.com offers logo design for as little as $5!) No matter how you do it, it will serve you better to have a publisher name associated with your book.
There are so many independent houses these days, it is getting harder to differentiate between the “self-published” and the “traditionally published.” Many independent presses are going the route of self-publishing when it comes to printing their books, and their distribution is no different from what you can do. They may have staff, like editors, who can help you, but their actual process isn’t so different.
harokah herbal viagra https://thembl.org/masters/a-essay-describing-yourself/60/ https://caberfaepeaks.com/school/chegg-homework-help-review/27/ does levitra go bad comparative essay topics thesis chapter 3 experimental design https://climbingguidesinstitute.org/17618-resume-action-script-manager-ca/ see url nach viagra kopfschmerzen case study clinical research how to do a case study himcolin gel use video how do i attach a photo to an email on ipad air classification essay example will viagra help me last longer viagra gel en algerie go here follow link phd buy aqa english language a2 coursework examples netflix case study strategic management fuel systems essay follow link cytotec peru arequipa colca teacher day essay in english sildenafil dapoxetine tablets https://www.arohaphilanthropies.org/heal/viagra-zolfo-springs/96/ watch best writing software for thesis meaning for viagra edexcel english literature and language a2 coursework pay for my investments application letter Claire McKinney PR, LLC specializes in campaigns for books, authors, educational programs, websites, art, film, and other intellectual properties. They work carefully with clients to create messaging; branding concepts; and marketing and media strategies that integrate both traditional and new media opportunities.
See more of WWW’s contributors HERE.